How to Play Lindsey Buckingham Never Going Back Again
Could you imagine that a Mickey Mouse guitar has sparked Lindsey Buckingham's first venture into the guitar world? I mean, how could such a guitar make Buckingham so picky with his guitars, and so versatile too? What kind of guitar does Lindsey Buckingham play exactly?
His unique fingerprint embodied in the merger of spontaneous fingerpicking and soloing even transcends his musical mode to his guitar rig, which came across as exotic when I caught a glimpse of it as a guitarist — nigh of the guitars have no soundhole! Let'southward embark on a journeying through the rig that made Buckingham'south repertoire come to prominence.
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Buckingham'southward Rig: A Myriad of Guitars for a Myriad of Songs
What I really like about Buckingham's mindset of having a versatile rig is that he counts specific models as exclusive for a certain gear up of tracks. When I explored his rig, I discovered that this guitar-runway correlation wasn't a myth later on all. If you desire to delve into Lindsey Buckingham's technique, cheque out Guitar Tricks — they accept some great lessons.
Rick Turner Model 1: The First Buckingham Signature Guitar
The 1979 Rick Turner Model 1 is the first and last electrical-acoustic Lindsey Buckingham signature model presented to him by Rick Turner himself. The guitar'due south top and back is one uniform chunk of mahogany, whereas the sit-through neck is made from maple.
Buckingham has 6 of these, 3 of which serve as a backup. To play "Come," he uses the original one tuned a step and a one-half up with a capo on the 3rd fret. The other variations are tuned in D standard to play "Go Your Own Way" and "I'chiliad Then Agape."
The mahogany tonewood is relatively dense compared to cedar, for instance. Since the Model 1 adopts a mahogany construction, it excels at providing a warm tone with longlasting sustain and enhancing the treble and bass ranges.
To assist produce a brilliant upper mid and complex mid notes, the Model 1 overcomes the distributed bodyweight that commonly traps the frequencies or makes them fade out.
Alternatively, the Model 1 complements the mid-range through having a heavy central mass around the pickup area. Turner put that into activity by ingeniously arching the superlative and the dorsum to make a "two-sided bulge" that aids the notes in vibrating more resonantly.
The Model one has a semi-parametric EQ for the under-saddle piezo pickup, but Buckingham often ditches it and sticks to the volume and tone knobs to blend the humbucker with the piezo pickup'south output. Speaking of tones, this guitar has a spiral carved into the middle of the biconvex back, with which Buckingham tin tilt the humbucker to acquire a warmer or a brighter tone.
Taylor 814CE: With or Without a Soundhole?
This is a paramount guitar in Buckingham's rig since he used it to perform "Never Going Back Once again," where he plays some ear-inducing fingerstyle accompaniment patterns. The Taylor 814CE is downright an audio-visual guitar — with a soundhole cover.
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Buckingham has ii Taylor 814CE guitars: one tuned to an open up Gb chord with a capo on the 2nd fret and the other tweaked to the standard Drop D with a capo on the third fret to play the previously mentioned track.
It's thoughtful of Buckingham to clog the soundhole since he installs the Fishman Prefix Plus-T preamp system to convert the guitar into an electro-acoustic 1. An open up soundhole would probably result in redundant feedback when he cranks up the amp.
This preamp even features a notch knob to cut the feedback to the blank minimum. Some other command that caught my attention is the Brilliance fader, a fancy term for the Presence control that Buckingham uses to fine-tune the treble range so that information technology doesn't get too vivid or hissy.
The guitar top is crafted from Stika spruce. For the untrained eye, this tonewood is renowned for providing a "flat" tone. Even so, Buckingham is aware that bandbox tops shine when y'all apply the slight dynamics that render every fingerstyle piece live. That's how you can benefit from a bandbox top combined with the tropical mahogany neck that fills the mid-range.
Renaissance Steel String: Another Holeless Axe from Rick Turner
This Rick Turner Renaissance Baritone guitar has the broadest dynamic range out of all Buckingham'south guitars because of the coaxial piezo pickups that adopt an under-saddle position and the arch-free soundboard. Buckingham uses this guitar, tuned to an open 7th chord, to play "Seeds We Sow" with no capo.
We call this the D-TAR preamp system. Information technology offers 360-degree coverage of every string vibration underneath the saddle to produce an accurate tone and a one that the tonewood genuinely generates. The saddle is besides tilted at an acute angle to provide a custom intonation that suits every string.
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The Renaissance uses a fine alloy of tonewoods: cedar for the slim soundboard top, maple for the back and sides, maple for the fretboard, and a well-chosen mahogany tonewood for the cervix. It has knobs for book, tone warmth, and synth. Buckingham controls the synth knob through an boosted Roland bridge pickup.
Gibson Chet Atkins CE: Buckingham's Nylon Jewel
Buckingham plucks his way with this guitar to play "Go Insane" or "Large Love" in standard East tuning with the latter beingness performed with a capo on the 3rd fret.
The nylon-string Chet Atkins CE rolled out to the market with an under-saddle piezo pickup, yet Buckingham replaced it with stereo pickups for every individual cord. Back in the solar day, this guitar gave rising to feedback-gratuitous classical operation since the soundhole is blocked with a proprietary Gibson embrace.
The Chet Atkins CE is nearly an all-mahogany guitar; the soundboard is entirely crafted from a solid cake of mahogany. Similarly, the neck is made from mahogany paired with a rosewood fretboard.
Conclusion
Before joining Fleetwood Mac, Lindsey Buckingham had used a Fender Telecaster since he admired how smoothly he could fingerpick. Arising from the demand to get a "fuller" sound after joining the band, he switched to a white Gibson Les Paul Custom, whose sound was appealing to Buckingham, but not its fingerstyle tone.
That'due south why I deem the Model 1 to exist the protagonist of Lindsey Buckingham's musical forays. Since the dawn of the seventies, Buckingham has rocked his Rick Turner Model 1, and still rocks it to this day!
Frequently Asked Questions
What Strings Does Lindsey Buckingham Apply?
He strings up his Model 1 with the D'Addario EXL110 Nickel Wound x-46 string set. Even so, he has one Model 1 guitar that uses EXL145 12-54 for the lower E, A, D and G strings, whereas the higher E and B strings use the normal 10-46 guess.
Who Did Lindsey Buckingham Marry?
He married Kristen Messner in 2000. Buckingham at present lives with his wife and iii children in Los Angeles, California.
Is Lindsey Buckingham Still in Love With Stevie Nicks?
Buckingham and Stevie broke upwardly during the recording of their album "Rumours." All the same, the split up couple managed to work together on tours and records, and they nevertheless hold a potent relationship to this day. Buckingham even invited Stevie on stage when performing "Never Going Back Again" in 2017.
Image Credits:
Featured Epitome: Sarah McKagen / CC By-SA
Images: Rick Turner Guitars, Taylor Guitars
How to Play Lindsey Buckingham Never Going Back Again
Source: https://www.allstringed.com/what-kind-of-guitar-does-lindsey-buckingham-play/